How Editory works
Every video in Editory follows the same six steps, whether you drove it by hand, pressed Auto Generate, or asked an AI client to do it. Knowing the shape is the fastest way to work out where to intervene when something isn’t what you wanted.
flowchart LR A["1 · Ingest<br/>your story"] --> B["2 · Generate a<br/>script"] B --> C["3 · Review<br/>& edit"] C --> D["4 · Record"] D --> E["5 · Apply<br/>your brand"] E --> F["6 · Export<br/>for social"]1 · Ingest your story
Section titled “1 · Ingest your story”Paste a URL, upload a PDF or DOCX, pick something from your library — or just describe the story and let Editory write it. That last mode has no article behind it at all: you supply the brief (“announce our partnership with X, point people at their Instagram”) and Editory drafts the facts from what you gave it.
When you paste a link, Editory also pulls the article’s photos. The main photo is selected by default and the rest are one click away.
2 · Generate a script
Section titled “2 · Generate a script”You choose a persona — News Anchor, Conversational Storyteller, Investigative Reporter, Educational Broadcaster — or take advanced control of duration, speaking style, story focus, depth, tone, pacing and emphasis.
The target length is derived from the runtime you asked for, at roughly 150 words per minute. Ask for 60 seconds and you get about 150 words, not “a short script”.
3 · Review and edit
Section titled “3 · Review and edit”The editing chat takes plain-English revisions: tone shifts, tightening, restructuring, length changes. Every iteration is kept, so undo always works.
4 · Record
Section titled “4 · Record”Three routes, and they produce the same kind of input as far as the rest of the pipeline is concerned:
| Route | What it is |
|---|---|
| Teleprompter | Records in your browser, script scrolling at your pace, with an eye-level alignment guide |
| Phone as camera | Your desktop mints a short-lived link; your phone opens it, gets the script and settings, and records with the better camera |
| AI voiceover | No filming. The script becomes narration, and the video is built from b-roll and graphics |
5 · Apply your brand
Section titled “5 · Apply your brand”This is where the pipeline does most of its work, and almost none of it needs your attention the second time around.
| Stage | What it does |
|---|---|
| Transcription | Word-level timing, so captions land on the syllable. Chunk boundaries are extended outward so a cut never clips a word |
| Shorts planning | Picks the breakpoints for short-form clips |
| B-roll planning | Decides where a cutaway belongs and writes the search terms for it |
| B-roll fetching | Pulls from stock providers or your own uploads, scores for relevance, and keeps the credit line |
| Graphics | Quote cards, stat displays, speaker intros, title cards, data tables, flow steps and metric rings |
| Captions | Styled to your preset, plus up to three suggested social captions for the post itself |
| Music & SFX | Generated beds and stings |
| Assembly | Everything becomes one manifest — the single description of the finished video |
| Render | Encoded to H.264 and uploaded |
6 · Export
Section titled “6 · Export”You get the long-form cut plus any short clips, in whichever of 9:16, 16:9 and 1:1 you asked for. From there: download, or publish to a connected account.
Where you can step in
Section titled “Where you can step in”The six steps are fixed; how much of each you control is not.
- Change the words, not the video — reopen the script and edit it, then re-cut.
- Change the video, not the words — open the timeline editor, or describe the change in Studio chat (“bigger captions, drop the music”).
- Change it for every future video — set a brand kit, a caption preset and a default for each preset library.
- Stop making the decisions at all — set up a newsroom series with a source and a schedule, and it runs without you.